La Convergence des Styles en Art et Litterature Dans la Legende D'Ulenspiegel: Pieter Bruegel et Charles de Coster

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This study analyzes certain paintings by Bruegel and texts from de Coster's Legende d'Ulenspiegel to establish the thematic convergence of the two artists' works in their perception of sixteenth-century Flanders. Both artists equally celebrate nature, depicting Flemish scenes of customs and habits. In addition, they illustrate and denounce the cruelty of the seven capital sins and counterbalance them with a series of virtues. In French. Two Flemish artists, Charles de Coster of the nineteenth century and Pieter Bruegel of the sixteenth century, sketch, each in his own way, an comparable picture the people, the customs, and the landscape of Flanders. De Coster wrote "La Legende et les aventures heroiques, joyeuses et glorieuses d'Ulenspiegel et de Lamme Goedzak au pays de Flandres et d'ailleurs" in 1867. The story of Thyl Ulenspiegel takes place in the sixteenth century during the Low Countries' fight for independence and religious freedom. With his novel, de Coster drew a parallel between the social, political and religious situation of the Low Countries in the sixteenth century with that of Belgium during the years 1850-1875. Likewise, the works of.